News & Featured Artists
Review of Studio Gallery artists Thierry Guillemin, Elizabeth McNeil Harris, and Lydia Embry by Mark Jenkins of The Washington Post (April 2024).
Review of two Studio Gallery artists by Mark Jenkins of The Washington Post (March 2024).
A brief look into the reversal of the relationship between art and cinema, curious of how our member-artists’s work might contain droplets of influence from the silver screen, and what each artist’s favorite film might say about their work, themselves, or simply their current interests.
Lynda Andrews-Barry has been chosen as one of nine 2024 Environmental Justice Artivist Fellows. Repost of article by Karen Baker, ABC27 (Social Art and Culture). News provided by EIN Presswire. February 2024.
Review of two Studio Gallery Fellowship artists by Mark Jenkins of The Washington Post (February 2024), and information on our Fellowship artists’ recent group show at Studio Gallery.
Studio Gallery warmly remembers one of our Founding Mothers, Joy Turner Luke, who passed away in June 2023.
Review of outreach exhibit Diasporic Connections (curated by Atiya Dorsey) by Mark Jenkins. The Washington Post, January 2024.
“I thought that I had it all figured out, and then the best thing happened…I was wrong.” Join Gallery Staff Member Karen King as they explore interpretations on Chris Corson’s sculptures in Figure and Ground.
“Everything we experience, we experience through the filter of who we are and what we’ve been through.” - Carolee Jakes. An interview with artist Carolee Jakes about identity, expression, and how we represent that in life and in art. This interview was conducted by Gallery Staff Member Karen King.
Review of Microcosm-Macrocosm by Louis Jacobson. The Washington City Paper, November 2023.
Review of Irene Pantelis’ exhibit Of Water Too are the Grasses by Mark Jenkins. The Washington Post, November 2023.
Studio Gallery would like to highlight one of our fantastic curators, Gaby Mizes, who curated two of our recent exhibitions: Carolee and Ellie Jakes’ The Seven Sisters and Chris Corson and Gary Anthes’ Figures and Ground.
Review of Langley Spurlock and John Martin Tarrat’s exhibit Astronomia Solar Circus by Mark Jenkins. The Washington Post, October 2023.
Sometimes, you see an incredible piece of art, or an amazing photo, and you just want to jump in. Studio Gallery intern Karen King lists ten pieces here that make them feel that way.
Review of Gary Anthes and Chris Corson’s Figure and Ground and Carolee and Ellie Jakes’s The Seven Sisters: An Exploration of Time and Space by Mark Jenkins. The Washington Post, September 2023.
Visual art and literature are two sides of the same coin. In fact, they have never been more symbiotic, especially looking at our pool of wonderful member artists here at Studio Gallery.
Today we are celebrating What We See by Beverly Logan! This month, our staff favorites are centered around Logan’s stunning collection of photographs. This outstanding compilation of photographs and photographic collages compel us to reflect upon how we view our reality; namely, what we process when we first look, and then what we are able to fully comprehend.
As Pride Month comes to a close, we invite you to learn more about the history of Studio Gallery, Dupont Circle, and the LGBTQ+ community in Washington, D.C. Written by staff contributor Caroline Finken, this piece features work by Studio Gallery artist Gordon Binder and Studio Gallery founder Jennie Lea Knight, and offers a meditation on the past and present of Dupont Circle and its connection to the LGBTQ+ community and the local arts scene.
Review of Freda Lee-McCann and Joyce McCarten’s exhibits After Tradition and Morocco: Colors and Shapes by Mark Jenkins. The Washington Post, June 2023.
Review of Elizabeth Curren and Micheline Klagsbrun’s exhibits Blue Bloods and Anchors of the Heart by Mark Jenkins. The Washington Post, May 2023.
Review of Lisa Battle’s exhibit Portals and Passages by Mark Jenkins. The Washington Post, April 2023.
Review of Lynda Andrews-Barry’s solo exhibit Petrichor by Phil Hutinet. The Hillrag, April 2023.
This is a repost of Martina Sestakova’s blog. The original article can be found linked in this post.
As Women’s History Month comes to an end, we are celebrating women in the arts through the National Museum of Women in the Arts’ well-known call for action: #5womenartists! The NMWA asks the simple but daring question of if you can name five women artists. This task sounds simple enough, but many people (even art lovers) cannot always answer. We are challenging the male-centric history of art by proudly naming five of Studio Gallery’s #5womenartists, who are in turn sharing their own five favorites with us. We invite you to learn more about women artists and about the NMWA’s challenge as we celebrate Women’s History Month this March 2023 and far beyond.
Towards the end of 2022, our staff contributor Samantha Van Heest had the great pleasure of visiting with Studio Gallery artist, Miriam Keeler, in her home and studio. Read on to learn more about Keeler’s artistic practice and to see some behind-the-scenes shots!
Review of Studio Gallery’s outreach show Coffee by Shantay Robinson. Washington City Paper, January 2023.
Review of Studio Gallery Artists Veronica Szalus and Lynda Andrews-Barry by Mark Jenkins, January 2023.
Review of Studio Gallery artist Suzanne Yurdin’s exhibit Nothing Gold Can Stay by Lenny Campello, November 2022.
Review of Studio Gallery solo artist Harriet Lesser’s exhibit Looking + Letting Go by Matt Byrne, November 2022.