Intimate Hand Work

Beth Curren | Ceci Cole McInturff | Tina Hudak | Carolee Jakes | Alice Quatrochi | Lisa Rosenstein

March 3, 2021 to March 27, 2021
Installation Photography by Gary Anthes

 
 
 

 

Intimate Hand Work
Exhibit Statement

On March 17, 2020, most of us were anticipating a day in which there would be a nod to the Irish St. Patrick, an excuse to wear something green, and looking forward to the start of Spring. For some of us, the cancellation of that night’s dinner reservation was a metaphor of what was to come in the next 48 hours:  the abrupt shut-down and closing of all but essential services; a sheltering in place against an invisible enemy; a confusing confluence of restrictions and mis-directions; and the growing realization that day-to-day life, as we knew it, had changed, utterly. The coronavirus shifted everyone’s priorities.  As the numbers of cases and deaths spiraled upwards, artists everywhere faced the mounting pressures of isolation, loss of access to tools and materials, the interruption of our work and our expectations. All of this, often, was in direct conflict with the changing responsibilities for our relatives and neighbors.  

This exhibit of work, most of which was completed within the last fourteen months, reflects our individual responses to our personal situations, to the stresses in our lives, to the catastrophe that is this pandemic, to the social unrest and political strife.  The artworks are intricate, incorporating the intimate hand work and careful detail that has helped each of us to find serenity and harness our strengths.  The work has brought us together as artists, as women, as friends and as members of our community.

 

Artist’s Statement
Elizabeth Curren

This roll of paper got started as an alternative journal: 2020 was to be a year of breathing easier, of starting a new decade, of hoping for change.  There were many projects planned and anticipated: a two-week participation in the Paper and Book Intensive; several art conferences; a writing project; two residencies; preparing for an exhibit; a long-awaited ten-day trip to Paris.  Before January was three weeks in, there were the sudden deaths of two dear friends, a brief hospitalization, and alarming news of a dangerous virus that was beginning to spread throughout the world. Not an auspicious beginning.  I began to write, to collect quotes, headlines, facts, figures and bits and pieces of ephemera, making sketches and drawings, and collaging on this roll of paper.  It is not the journal I expected, yet it reflects the year that I experienced.

As the pandemic gained momentum and all of our lives were changed, most of what we had planned, scheduled, anticipated and expected to happen, simply disappeared.  What became important was staying safe, staying isolated, finding supplies and sustenance, volunteering and donating, trying to work and watch out for one another.  Small pleasures took on great importance. We became more appreciative of the hard work and kindnesses of strangers. This paper journal is more a ‘scrawl’ than a scroll. It reminds me, grounds me, and focuses me on events that have had terrible impacts for our planet.  These events are all interconnected, the good as well as the bad. These are the ties that bind us.

My Covid Year
Elizabeth Curren
2020-2021
Journal
Pencil, collaged images and data on Canson Paper Roll, 98lb weight
3’ h x 28’ w, rolls up to 3’ x 1’
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Keith’s Lungs
Elizabeth Curren
2020
Collagraph print with embossment, stencil and paint, #3 of 21
8” h x 6” w, unframed
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Senate Window, U.S. Capitol, January 6, 2021
Elizabeth Curren
2021
Watercolor and Pencil on Fabriano paper
14”h x 11” w, unframed
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House Window, U.S. Capitol, January 6, 2021
Elizabeth Curren
2021
Watercolor and Pencil on Fabriano paper
14”h x 11”w, unframed
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Inward Outreach  Alice Quatrochi  July 2020  24” x 18” x 1.25” Click image to enlarge ⦿ Inquire

Inward Outreach
Alice Quatrochi
July 2020
24” x 18” x 1.25”
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Artist’s Statement
Alice Quatrochi

My exterior, extroverted world has been cloistered away.

The moments I can share become pale and fractured 

substitutes of experience, delayed and filtered through 

keyboard and pixelated spilt-screens. I yearn for union 

and exert my intentions through arts and actions that defy 

delays and distancing. I am driven to translate my 

rhythmic heartbeat into a transcendental current.


THINGS CHANGED
Ceci Cole McInturff
2020
Used baseballs, rabbit skin, sand, cotton thread, boxed in Japanese silk
6.25”H x 17.25”W x 9.25”D
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Artist’s Statement
Ceci Cole McInturff

THINGS CHANGED
Working from home during 2020 when my studio was closed, materials at hand included baseballs. I am the mother of sons, one of whom works in Major League Baseball and both of whom played for years. Many of their baseballs were found months and years after catch in the backyard, under leaves, mulch, the deck: decomposing treasure. 
For me these balls epitomize sculpture - leather skins peeled back, myriad crossing threads underneath, encasing a rubber-like ball. Strings like screams, like hair on fire, as hard hits to a reality. 
New baseballs are crisp and pristine, orderly, satisfying and (until in the right hands) roundly predictable. Life before virus at times felt that way…but then, things changed.

WE’LL ADJUST/STILL FUNCTIONAL 
Early in 2020 I began distancing, working away from studio at home, where there happened to be some leather gloves. Things were closing, I knew no one yet who was sick, George Floyd was alive, I didn’t perceive the scope things would get to, and was feeling determined. I washed and crimped the gloves and sewed on a cuff: We’ll Adjust, Of Course. As in: together, we have to.
By early fall, my perspective rapidly and progressively altered. With the scope of unknowns across health, justice, the quality of public discourse and unrest here and around the world, I was further sobered; grieving on several levels. I sewed what remains true: Still Functional, But Altered. 

WE’LL ADJUST/STILL FUNCTIONAL  Ceci Cole McInturff 2020 Vintage distressed leather gloves; hand-sewn text on cuffs 15”H x 4”W x 2.5”D and 19”H x 4”W x 3.5”D  Click image to enlarge ⦿ Inquire

WE’LL ADJUST/STILL FUNCTIONAL
Ceci Cole McInturff
2020
Vintage distressed leather gloves; hand-sewn text on cuffs
15”H x 4”W x 2.5”D and 19”H x 4”W x 3.5”D
Click image to enlarge ⦿ Inquire


Artist’s Statement
Tina Hudak


Words are central to my art whether the expression is through the alphabet or imagery; all carry meaning. Trained as a professional calligrapher during the 1970s, its natural progression extended to papermaking, book arts during the 1980s through the 1990s. Now, in the 21st century, digital and simple printmaking techniques are central, especially during the COVID pandemic. Opportunities to experiment with materials in my small studio, then learn and collaborate virtually are a blessing. The work in this exhibit is a direct result.

Redbuds
Tina Hudak
Poem, handmade paper, pencil drawing and digitally printed.
11 x 14 in.
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Evensong
Tina Hudak
Poem, handmade paper, letterpress, collage with digital printing
11 x 14 in.
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Redbuds Redux
Tina Hudak
Artist’s book, original poem, pencil drawings, digital printing, antique linen fabric cover with three-hole hand binding and redbud wood closure.
Approx. 4.5” x 5.5”
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COVID19: The Three Stages
Tina Hudak
3 artist's books in closure, monoprints, drawing, digital printing, accordion folds
2”x 2.5”
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February 2021, ZINE #A: Beatrix Potter and me
Tina Hudak
Collage of multiple original art and/or previously printed imagery with references for further reading, folded paper. Printed with an inkjet printer.
2.75” x 4” closed
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March 2021, ZINE #B: Beth Curren and me
Tina Hudak
Collage of multiple original art and/or previously printed imagery with references for further reading, folded paper. Printed with an inkjet printer.
2.75” x 4” closed
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Lisa Rosenstein

GODDESS
Lisa Rosenstein
2020
Newspaper and water
Dimensions variable
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CORONAVESSELS
Lisa Rosenstein
2020-21
Newspaper and water
Variable sizes
All proceeds will benefit Studio Gallery and DC Central Kitchen
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NOUS
Lisa Rosenstein
2020
Newspaper and water
Dimensions variable
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SOL
Lisa Rosenstein
2021
Mixed Media
Dimensions variable
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LUNA
Lisa Rosenstein
2021
Mixed Media
Dimensions variable
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Carolee Jakes

Isolation
Carolee Jakes
2020
Mixed media on raised panel
18 x 24”
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Listen
Carolee Jakes
2021
Mixed media on raised panel
18 x 24”
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Assimilation
Carolee Jakes
2020
Mixed media on raised panel
16 x 20”
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