Review of Gary Anthes and Chris Corson’s Figure and Ground and Carolee and Ellie Jakes’s The Seven Sisters: An Exploration of Time and Space by Mark Jenkins. The Washington Post, September 2023.
Read moreIn The Washington Post: Freda Lee-McCann and Joyce McCarten
Review of Freda Lee-McCann and Joyce McCarten’s exhibits After Tradition and Morocco: Colors and Shapes by Mark Jenkins. The Washington Post, June 2023.
Read moreIn The Washington Post: Elizabeth Curren and Micheline Klagsbrun
Review of Elizabeth Curren and Micheline Klagsbrun’s exhibits Blue Bloods and Anchors of the Heart by Mark Jenkins. The Washington Post, May 2023.
Read moreNew in Reviews: Lisa Battle in The Washington Post
Review of Lisa Battle’s exhibit Portals and Passages by Mark Jenkins. The Washington Post, April 2023.
Read moreNew in Reviews: Lynda Andrews-Barry in Hillrag
Review of Lynda Andrews-Barry’s solo exhibit Petrichor by Phil Hutinet. The Hillrag, April 2023.
Read moreIn The Washington City Paper: Coffee: A Color Study Embraces Brown’s Safety and Stability
Review of Studio Gallery’s outreach show Coffee by Shantay Robinson. Washington City Paper, January 2023.
Read moreIn The Washington Post: Studio Gallery Artists Veronica Szalus and Lynda Andrews-Barry
Review of Studio Gallery Artists Veronica Szalus and Lynda Andrews-Barry by Mark Jenkins, January 2023.
Read moreIn the DC Art News Blog: Suzanne Yurdin
Review of Studio Gallery artist Suzanne Yurdin’s exhibit Nothing Gold Can Stay by Lenny Campello, November 2022.
Read moreIn District Fray Magazine: Harriet Lesser
Review of Studio Gallery solo artist Harriet Lesser’s exhibit Looking + Letting Go by Matt Byrne, November 2022.
Read moreIn The Washington City Paper: Themes and Variations
Review of Studio Gallery group photography show Themes and Variations by Lou Jacobson, November 2022.
Read moreIn The Washington Post: Studio Gallery Artist Joan Mayfield
Review of Studio Gallery Artist Joan Mayfield by Mark Jenkins, November 2022.
Read moreIn The Washington Post: Studio Gallery Artist Kathryn Camicia
Review of Studio Gallery’s Exhibits by Mark Jenkins, October 2022.
Read moreIn The Washington Post: Studio Gallery Artist Gary Anthes
Review of Studio Gallery’s Exhibits by Mark Jenkins, September 2022.
Read moreIn the Washington Post: Irene Pantelis' “Cactus of the Sands”
“The copiapoa cactuses that grow in Chile’s Atacama, Earth’s driest nonpolar desert, are both hardy and delicate. The starkly lovely drawings in ‘Cactus of the Sands,’ Irene Pantelis’s Studio Gallery show, emphasize the delicacy…”
Read moreIn the Washington Post: Organic Geometry, A Tribute To Nancy Frankel
“An influential and much-loved figure, Frankel worked assuredly in wood, metal, plaster, clay, plastic and cast acrylic, sometimes painted in exuberant colors…”
Read moreIn East City Art: Urban | Oxide
“By embracing and understanding the impermanence of the urban environment, we may start seeing the beauty in the smaller things and subtle shifts that are constantly taking place.”
Read moreIn the Washington Post: Sally Kauffman, Freda Lee-McCann, Susan Raines, & Lisa Battle
“From a distance, Kauffman’s canvases are all bold color and implied movement, recalling the busier varieties of abstract expressionism. Yet the artist’s themes add another level of meaning…”
Read moreIn the Washington Post: Micheline Klagsbrun
“The goddess sometimes appears in human form, as a dancer in the heavens, while an old sailing ship navigates her realm…”
Read moreIn the Washington Post: Trix Kuijper
“The alluringly odd creatures inhabiting Studio Gallery’s main floor are made of such industrial materials as plaster and cement, yet they seem midway through an organic process of transformation…”
Read moreIn the Washington City Paper: SG Artist Jo Levine Makes Best Images of 2018 List
Another excellent accomplishment for a Studio Gallery artist.
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